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Luhring Augustine’s Chelsea gallery is presenting a group photography show that examines fantasy through intimate, partially obscured images and portraiture. Hyperallergic’s review describes works by Shaun Pierson, David Seider and Janice Guy; the source does not provide the exhibition’s full title or dates.
Luhring Augustine’s Chelsea gallery is showing a group photography exhibition that uses intimate, fragmented images to explore how photographs can shape fantasy, according to a review published by Hyperallergic. The review discusses works by Shaun Pierson, David Seider and Janice Guy, including Guy’s grid of self-portraits from the 1970s and Pierson’s 2026 image of a strawberry on lace.
The exhibition’s premise is introduced by a quotation from Fran Lebowitz written on the gallery wall: “Abandon the search for Truth; settle for a good fantasy.” Hyperallergic’s review describes the line as a warning to visitors and as a framing idea for the show. Pierson’s photograph, Untitled (Strawberry on Lace) (2026), hangs beside it. The work is an archival pigment print; the review draws attention to the strawberry’s unusually full, sculptural appearance.
In the main gallery room, the review says, works by Pierson, Seider and Guy approach portraiture through partial views rather than complete, readily knowable subjects. The images include curved backs and fragments of women’s faces. Hyperallergic characterizes their effect as moving between intimacy and unknowability, comparing the experience to a fractured peep show. That description is the reviewer’s interpretation, not a stated claim from the gallery.
Guy’s work consists of grids of self-portraits made in the 1970s. The source identifies one piece as Untitled (1977, printed 2026), comprising eight silver gelatin prints. Its original photographs date to 1977, while the prints are dated 2026. The review calls the grids arresting, placing them among the exhibition’s central examples of how a portrait can reveal and withhold at once.
How Fragmented Portraits Shape Fantasy
The exhibition’s subject is not only what the photographs depict, but how photography invites viewers to complete an image. Cropped bodies, partial faces and repeated self-portraits offer visual evidence without providing a full account of the person pictured. That gap gives viewers room to imagine, while also making clear that a photograph is a constructed view rather than a complete record.
For visitors, the arrangement connects the Lebowitz quotation to the images rather than treating it as a detached slogan. Pierson’s strawberry photograph makes the point through an ordinary subject presented with conspicuous sensuality, while the portrait works use fragments and repetition. Hyperallergic’s review suggests that the show’s appeal lies in this tension: images can feel close and personal yet remain difficult to fully understand.
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The Works and Their Dates
The source identifies the venue as Luhring Augustine’s Chelsea gallery in New York and describes the presentation as a group exhibition. It does not give the show’s formal title, opening date, closing date or complete checklist. The article is a pocket review, so it offers a focused response to selected works rather than a full exhibition catalogue.
The dates attached to the works distinguish when an image was made from when a print was produced. Guy’s Untitled is listed as 1977, printed 2026; Pierson’s Untitled (Strawberry on Lace) is dated 2026. The source does not provide equivalent dates or titles for the works by David Seider discussed in the review.
“Abandon the search for Truth; settle for a good fantasy.”
— Fran Lebowitz, quoted on the gallery wall
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Exhibition Details Not Provided
The source does not state the exhibition’s official title or how long it will remain on view. It also does not provide a complete list of participating artists, the number of works, or further details about Seider’s photographs. The review’s language about fantasy and the images’ emotional effect reflects the critic’s reading; the source does not report an artist or gallery statement confirming a single intended interpretation.
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Visitors Can Check Gallery Listings
Readers seeking practical details, including current viewing dates, hours and the exhibition’s formal title, will need to consult Luhring Augustine’s gallery listings. The source does not announce a future event, closing date or additional programming, so no next milestone is confirmed in the review.
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Key Questions
What is the exhibition about?
Hyperallergic describes a group photography show centered on fantasy, intimacy and partial views. Its review focuses on how fragmented portraits can invite interpretation without fully revealing their subjects.
Which artists are discussed?
The review discusses works by Shaun Pierson, David Seider and Janice Guy. It does not provide a complete artist list in the supplied source.
What work by Janice Guy is featured?
The source identifies Guy’s Untitled as a work from 1977, printed in 2026, consisting of eight silver gelatin prints arranged as self-portraits.
Where is the exhibition, and when can it be seen?
The exhibition is at Luhring Augustine’s Chelsea gallery in New York. The source does not specify its dates or viewing hours, so visitors should check the gallery’s current listings.
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