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Ibrahim Said’s solo exhibition “Shaping Time” opens at Yossi Milo in New York and runs through January 9. Its ceramic sculptures draw on Islamic and ancient Egyptian art, including pottery traditions associated with Cairo’s historic Fustat district. The work follows Said’s 18-month residency with The Metropolitan Museum of Art and Vacheron Constantin.
Egyptian-born artist Ibrahim Said’s solo exhibition “Shaping Time” opens at Yossi Milo in New York on October 23, bringing together ceramic sculptures that draw on Islamic and ancient Egyptian art. The show, which runs through January 9, 2027, follows Said’s 18-month Metropolitan Museum of Art and Vacheron Constantin Artisan Residency.
The exhibition features sculptural vessels made from white earthenware, including works titled “Delta Vase” (2025), “Shaping Time 3” (2026) and several pieces in Said’s “Floating Vase” series. The gallery’s account describes forms connected by concave pillars and curved bands, with arrangements that play with symmetry and the idea of paired or overlapping bodies.
Said’s patterns include latticework and layered ornament. The gallery links the labor-intensive precision of these surfaces to the passage of time, while the sculptures’ shapes draw on historical visual traditions without simply reproducing historic pottery. The exhibition frames the vessel as a form that can be expanded and reworked.
The residency gave Said access to The Met’s collection over 18 months and, according to the exhibition report, influenced the new body of work. The show is on view at Yossi Milo; the supplied material does not give an address or specific opening-hour information.
Old Cairo’s Craft in New Forms
The exhibition places Said’s contemporary ceramics in conversation with Fustat’s pottery history and the broader traditions of Islamic and ancient Egyptian art. That connection is grounded in the artist’s background: Said was born in Old Cairo and grew up observing ceramic production in the area’s Pottery Village, according to the report by Colossal.
For visitors, the show offers a way to see how historical references can inform present-day sculpture without turning the works into replicas. Its emphasis on making, ornament and duration also makes the process visible: detailed surfaces and carefully balanced forms call attention to the time required to shape and decorate ceramic objects.
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From Fustat Ware to the Gallery
Fustat is a historic district of Cairo that served as an early Islamic capital and a major trading center. Pottery excavated across the area includes wares known as Fustat ware, often associated with iridescent luster glazes in varied colors and, in some examples, incised decoration. The exhibition report identifies this local history as one reference point for Said’s practice.
Said’s familiarity with pottery also comes from his experience growing up around workshops in Cairo’s Pottery Village. The Met and Vacheron Constantin residency later provided access to museum collections for 18 months. The available source says that experience influenced the works in “Shaping Time,” but does not identify particular objects in the collection as direct models.
“Said considers time “not as a fixed progression from past to future, but as a layered condition in which histories and imagined futures continually overlap.””
— Yossi Milo gallery, as quoted in the exhibition report
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Details Beyond the Exhibition
The available report does not specify the full exhibition checklist, the number of works on display, or whether all the pictured pieces will be shown in the gallery. It also does not provide information about admission, opening hours, public programs or sales. Those details should be checked with Yossi Milo.
The source describes influences and themes but does not establish that any specific sculpture directly reproduces a historical object or technique. The precise connection between individual pieces and particular works in The Met’s collection is not detailed.
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The Show Runs Through January
“Shaping Time” is scheduled to remain on view at Yossi Milo through January 9, 2027. Visitors seeking practical information, including hours and access, will need to consult the gallery’s current listings. The supplied report does not announce a related program or a later exhibition date.
The exhibition’s next public milestone is its opening on October 23. Further information about the complete selection of works or associated events may come from the gallery as the show proceeds.
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Key Questions
Where is Ibrahim Said’s “Shaping Time” exhibition?
The exhibition is at Yossi Milo in New York. The source material does not provide a street address or visiting hours.
When can visitors see the exhibition?
“Shaping Time” opens on October 23, 2026, and is scheduled to run through January 9, 2027.
What materials and forms are in the show?
The reported works are made from white earthenware. They include sculptural vessels with linked forms, curved bands, concave pillars and patterned surfaces.
What traditions inform Said’s ceramics?
The exhibition draws on Islamic and ancient Egyptian art, as well as pottery traditions associated with historic Fustat in Cairo. The source does not identify specific historical objects as direct models for individual sculptures.
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